Ben Nixon creates landscapes of extraordinary beauty through the unwieldy nineteenthcentury wet-plate collodion process, a hands-on photographic technique that offers the artist tight control of materials and yet invites serendipitous visual irregularities influenced by conditions in the field. Nixon avoidsphotographing recognizable landscapes, transforming noniconic terrain into mysterious, intriguing worlds.
Nixon prefers older technologies so that he can slow down and respond to the subject in front of him. While shooting in the field, Nixon’s car becomes the darkroom, because in the collodion process, glass-plate negatives have to be prepared, exposed, and developed on-site while the materials are moist. If the plates dry, they are no longer light sensitive. Although Nixon is a master technician, he sets aside academic ideas of what constitutes a perfect print, preferring to show his hand as an artist.
Nixon grew up in Spartanburg, South Carolina. While he was in high school, he received a book about Minor White, and it changed his life. He realized that photography was more than a documentary medium; it could be an integral part of one’s life as an avenue of selfexpression. This in- spired him to attend Sierra Nevada College in the Lake Tahoe region and then to study photography at Rockport College (now Maine Media College) on the east coast.
In 2002, Nixon began what he considers his real education when he moved to California to assist Jack Welpott, with whom he worked for 5 1/2 years and from whom he learned to appreciate metaphysical and surrealist aspects of photography. Afterward, Nixon assisted Arno Rafael Minkkinen on West Coast projects and printed for Arthur Tress, William Heick, and Art Rogers.
His photographs have been exhibited at the Phoenix Art Museum, Oakland Museum of Art, Center for Photographic Art, Santa Barbara Museum of Art, Greenville County Museum of Art, and the Morris Graves Museum.
Nixon’s work is in many permanent collections including the Santa Barbara Museum of Art, Boston Public Library, Asheville Art Museum, and The Bolinas Museum. He has received numerous awards including, the Pirkle Jones Foundation Grant.